Jonathan Franzen

More with Franzen

Arts, Culture & Media

Our extended cut of Kurt’s conversation with Jonathan Franzen, in which the novelist talks about the influence of Tolstoy on his writing, and laments being recognized during a trip to the supermarket for sugar-free Jell-O.

Franzen on Freedom

Arts, Culture & Media

Jonathan Franzen Mans Up

Arts, Culture & Media

Franzen on Wharton

Arts, Culture & Media

Noah Baumbach Explains Why HBO Dropped “The Corrections”

Arts, Culture & Media
Jonathan Franzen at the Jaipur Literary Festival

How one reporter turns to watercolors to tell the story

Arts, Culture & Media

With a microphone in hand, BBC Correspondent Andrew North has covered war and crises around the world. But lately he’s added another tool to his reporting kit: A sketchbook. On his latest reporting trip to cover the Jaipur Literary Festival in India, be put down his microphone and picked up a paintbrush.

The World

American Icons: The House of Mirth

This is a cautionary tale of class, money, and society. Lily is a smart single woman, a beauty in demand on the party circuit. But Lily is nearing thirty, and struggling to manage money, friendships, and romance. In The House of Mirth, Edith Wharton examined the dangerous compromises facing a woman who wants to set […]

The World

Jonathan Franzen

Arts, Culture & Media

Ever since Jonathan Franzen wowed the literary world with his 2001 novel The Corrections, he’s been hailed as the next great American writer. His latest book Freedom, out in paperback later this month, was another roundly praised bestseller.

The World

The Great Gatsby

Arts, Culture & Media

Studio 360 explores F. Scott Fitzgerald’s The Great Gatsby and finds out how this compact novel became the great American story of our age. Novelist Jonathan Franzen tells Kurt Andersen why he still reads it every year or two, and writer Patricia Hampl explains why its lightness is deceptive. We’ll drive around the tony Long […]

The World

More with Franzen

Arts, Culture & Media

Our extended cut of Kurt’s conversation with Jonathan Franzen, in which the novelist talks about the influence of Tolstoy on his writing, and laments being recognized during a trip to the supermarket for sugar-free Jell-O.