Kehinde Wiley’s Gorgeous Portraits

Studio 360

Kehinde Wileycreates big, bold paintings of young black men that are a throwback to 18th century classical portraiture. His sitters strike regal poses against vibrant, ornate patterns, wearing colorful T-shirts, caps and baggy jeans. It’s like Baroque gone day-glo. Opening today at theDeitch Projectsgallery in New York is a new exhibit ofWiley’s portraits called ‘Black Light.’

The exhibit presents an interesting twist on Wiley’s work — the figures are photographs; only the backgrounds are painted. Wiley’s other portraits are originally based on photos, so it’s interesting to see one layer peeled away from his process. The end result is equally striking.

blacklight_poster

Last summer, Kurt visited Wiley in his Brooklyn studio. He was working on a series of paintings of African men from Dakar and Lagos.

Kurt and Kehinde in the artist

Kurt and Kehinde in the artist’s studio, July 2008

Kehinde told Kurt how, as a kid, he was inspired by the British portraiture at the Huntington Library in California, and at the same moment realized, ‘there weren’t people who happened to look like me. By and large I was the black kid there.’ You can listen to the interview here:

‘Black Light’ is up at Deitch until September 26.

Are you with The World?

The story you just read is available to read for free because thousands of listeners and readers like you generously support our nonprofit newsroom. Every day, the reporters and producers at The World are hard at work bringing you human-centered news from across the globe. But we can’t do it without you: We need your support to ensure we can continue this work for another year.

When you make a gift of $10 or more a month, we’ll invite you to a virtual behind-the-scenes tour of our newsroom to thank you for being with The World.